Channeling Jean Harlow and the 1930s at Jenny Peckham

Hi, again...me again. I wanted to share these amazing dresses from Jenny Peckham, further proof of a girly, dress loving moment on the runways for Fall. I love these gowns- fluid, sexy, body skimming but never sleazy, and all out glamorous. Obsessed with the taupey numbers with the rhinestones, and love love love the combo of grey and the red belt (never mind the hair. Just never mind it. I don't get it). The dresses are pure genius. Here they are:

And here are some photos of the divine Jean Harlow, the movie star of the 30s who typified the blonde bombsell, and who unfortunately died in her late 20s from renal failure.

I think she was stunning, and I also am feeling a bit of Kim Basinger in "La Confidential" here- one of my favorite films ever albeit a film set in the 1950s and not the '30s- loved the style of that movie and these clothes are in tune with that neo-noir classic as well. In any case and regardless of era, those clothes add up to real intrigue and glamour- look for these looks at the Oscars or at big events that make the tabloids a la LA Confidential soon. And you can print that. Cause that's what's up this silky smooth va va voom of a Monday in the 718. XO

Zac makes me feel like a natural woman...

Hi, again. Valentine's Day is upon us and romance is in the air, and this collection from Zac Posen sure does not disappoint in that department. Dress after dress shows his instincts for understanding the beauty of our curves, and unless I'm wrong, when I think about what men like in terms of women's clothes, it goes a little something like these beautiful dresses and skirted suits. Sure there's nothing super modern about any of this, but I know these are gorgeous, sexy, and feminine pieces sure to make a heart race, pulse quicken, and remind us of how much fun it is to be a girl. Accompany with a little lipstick and some lovely scent and you're off...divine. They also summon up a passport to all points East, with a bit of the Mata Hari thrown in for good measure. If I was a spy/temptress, I'd pack a steamer trunk full of these pieces. And PS, there's great bravery in showing off your curves this way, so lest you think these clothes feel old fashioned, you're quite wrong. I can see Adele in a bunch of these pieces- particularly the dark green (there it is again) ruffled at the bust number with the trumpet hem. Oh and those red dresses don't disappoint- again, you need to be brave to wear read, and I salute you if you manage to summon up your inner Christina Hendricks and go to there. And the evening looks were showstoppers for sure.

Cause that's what's up this how lovely to be a woman kind of Monday just a few subway stops away from Fashion Week...all the love, peeps. All the love. XO 

Fashion Gets Lost

Good morning, Monday. I woke up with the sniffles and a bad case of fatigue and am going to pump myself through of Chinese herbs to make sure I don't get the full-blown badness. I can't believe tomorrow is Valentine's Day, and the day after that is my nine-year wedding anniversary. Time is flying, I tell you. Looking forward to celebrating that milestone at some point this weekend, or when the hubby comes up for air from his latest work project. I'm thinking we'll most likely be toasting our nuptials sometime in March, which is funny because the whole reason we got married Valentine's weekend in the first place was because it was the only time he could get away from a huge gig he was doing back in the day. LIke age, dates are just a number, and what matters is not when we celebrate, but that we do.

And speaking of celebrating, there's lots to clink about on the runways this week in New York. I'm loving that the clothes feel different- longer lengths in dresses (with few exceptions, case in point the stellar new looks from Dean Quinn, whose fresh and sexy collection is on my one to watch list).

Also in my sights are the funnel and cocooned silhouettes signifying a need for safety in a chaotic world. Another trend emerging is a fascination with the exotic- it's not as much ethnic and tribal like last season but more exotic and eastern and a combination of a Far East nod and a Ballet Russes sort of aesthetic that reminds me a lot of iconic YSL. I also can't help but think of Chet Baker and his sexy song "Let's Get Lost"- perhaps all of us are feeling the need to get away, see something other than what we know, and see all that the world has to offer. I also think from a fiscal perspective, it's getting tough to ignore what's going on in the so called BRIC (Brazil, Russia, India, China) nations, and now we're seeing it make its way into the fashion world, even though it is already well booming in big business and everything from sustainability to looking for cues on how these places are on the rise.

At Altuzurra below, we got a sense of the modern Cossack, with sexy embellishment and a feel of a buttoned up military vibe gone sexy. The pants looks are wonderful too, and that mossy green color I'm starting to see everywhere has me captivated. My love for greens of all sorts knows no bounds- and this is much less jolly Green Giant and much more mossy and moor inspired.

At Duru Olowu, the exotic trend continued but definitely skewed more ethnic inspired with prints and colors not necessarily for the faint of fashion, but all absolutely stunning takes on a global influence. What a wonderful way to channel wanderlust from your very own closet. I want to book a ticket now. Oh and I also want him to do a Target collection. Can so see that, right? Oh and that green he's doing here? Love.

Over at Christian Cota, "the designer gathered the inspiration for his clothes from the idea of an American girl getting lost in a Mexico desert -- in the fun, free-spirited conception of that scenario". That's what the New York Post said and I agree- this bright young star is one to watch, and his approach to exotic felt more folksy, a trend we saw last season that is continuing as we look for ways to channel authenticity and handcrafted. Oh and that long dress? Absolutely stunning.

And according to Mara Hoffman's liner notes as listed on style.com, "shaman gauchos" was the theme of her collection, and if that's not a bit off the beaten path, I'm not sure what is. Known for her prints, Ms. Hoffman did not disappoint, and I loved the sexy ease of her looks here- probably not going to be rocked by any real shamans, but fashion shamans and it girls all over will certainly hit up these looks come Fall.

 

Much has been made about what's to come in 2012- I've mentioned that you are either a glass half full or glass half empty type when it comes to this- you can either look at 2012 as a seismic move towards enlightenment or a time when we all implode. I'm sensing designers are mixing cocktails that signify a departure from traditional thinking and what we've seen before, and since that's the case, I'll have another. It's 2012 and I'm ready for some real change. And that's what's up this sniffly Monday full of possibilities in Brooklyn. Oh, and the Grammys were ok, I am still super sad about Whitney and though Rihanna's performance was a trainwreck, her Scarface inspired Armani complete with blonde 70s hair had me at hello. All the love, kids. All the love. XO


 


 

 

A world of lost umbrellas

Good day, Sunday. It's finally properly cold in New York and Khan and I just froze our tootsies off walking around the neighborhood. Happy to report I'm back home now, warm, thankful, and cozy- this is the way all Sundays should feel.

As I sat and earnestly looked at all of the full frontal fashion coming out of New York this week, it was with great sadness that I heard about Whitney Houston's passing last night. David was trying to install a dimmer in our living room, gave up halfway, and caused us to lose our internet for a few hours. After three hours on hold with Time Warner and their Level 3 tech support (yes, it was that serious) and some crap pizza (yes, it's possible to have bad pizza in New York), our connectivity was restored, and the first thing I saw on my computer was the announcement of Ms. Houston's death. I was stunned, floored, and immediately saddened.Though I may not strike you as the type to love a pop star like Whitney, I wholeheartedly did. I have always been a fan of both R&B and gospel, and her voice always took me somewhere, along with her gorgeous face and unfortunate ability to make her way into the tabloids- at first as a legend for her blessed voice, and then later as a poster child for her now infamous testament that "crack is whack". Indeed it is.

I couldn't help but immediately take to Facebook and cry out a big "WTF", and noticed that many of my friends were in the same place- posting old videos, online eulogies, and sadness at her passing. In recent weeks, I've been troubled by my lack of direction, my aimlessness that plagued me in my early years in New York, where everything seems possible but getting "there" is often quite the opposite. It's hard enough for a normal sod like me to not somehow feel beat up by a constant need to succeed, to do better, to one up. I can't imagine what it's like to have talent on the scale of Whitney- many of us wish our path was as clear as hers (to sing and sing and sing), but that often comes with a huge price. I don't know if it's the fact that true artists like Whitney suffer more because it's much harder to live in one's truth and observe the rest of the world not doing the same, or if the constant scrutiny of a press and public obsessed with failure and a fall from grace finally takes the wind out of such glorious sails. 

And although I sought solace in my Facebook community and looked for connection in my sadness, I couldn't help but think of all of the parodies of Whitney over the years- and we all laughed at them- particularly Maya Rudolph's portrayal of her. A big part of me thinks we have to stop making fun of something as serious as drug abuse- if somebody did that to someone in our family, or worse, ourselves- I am not sure how many of us would survive that microscopic level of cruelty, that somehow makes us feel better about our own lives but does not consider the lives that kind of joking does.

I know it's a big cliche to talk about the trappings of fame and being in the public eye, but all of this 24/7/365 information exchange at our fingertips (literally) feels out of control- we focus too much on the disasters of celebrity and sometimes forget they are still human, even if their talent somehow renders them otherwise to their fans. If less time was spent talking about how fucked up Whitney was and more time was spent trying to help her, could things have turned out differently? I'm not sure, but it brings up something bigger to me- there is so much shit talking all over the place- I've even seen it in my own industry in the comments sections of blogs where an announcement of a promotion or success can often lead to some serious snark. I'm not sure when we became a culture obsessed with watching people fail, or wishing them to do so, but it should stop. It's only after these people fall, or even worse, never get up again, that we remember what their true talent was- whether it's their music, art, athleticism, or simply being a good mother, father, or child.

To have to constantly be "ok" in the public eye must be a huge burden, because sometimes we're not. How many of us can admit that certain days we might share a recipe or a funny video on Facebook but inside we're feeling lonely, lost, or overwhelmed? I'm amazed at our inability to  recognize when people need help, because we're so busy judging and scrutinizing and talking about how crappy they looked or how a comment they said to a hungry media is spread all over the world, and often taken out of context.

Though I am grateful to all of this "sociality" and the opportunity it has given me to rediscover my "voice" (my writing voice that is), I wonder- is it time to stop doing so much talking and start listening? Clearly there's too many people out there that are in a great deal of pain- are we canonizing people for their faults rather than what they can give to the world? It all seems a rather perverse side effect of a world gone crazy, and as I think about that beautiful person that died, is it possible to save another life, or be a little kinder to someone in your own sphere that may need it? Instead of another update on Twitter or Facebook, take some time to really share. I reluctantly look forward to seeing the tribute to Whitney on the Grammys tonight, and I most likely will be sharing my thoughts on Facebook, when really I should be taking stock in how lucky we are to not be suffering, and further still, to be alive. Have we lost our ability to protect ourselves from constant scrutiny and judement- is the umbrella formerly known as privacy gone forever?  Sometimes we all need a little bit of protection, a little shelter from this storm called life. In Whitney's case, when times were bad, I can't help but feel we left her in the rain.

Cause that's what's up this somewhat heavy Sunday in the 718. All the love, and I mean that. If you need me today, I'll be your umbrella. XO

 

Rebecca Taylor. Nails it.

Hi, again. Last post for today but I gotta say- Rebecca Taylor's collection blew me away.  I know, it sounds strange to me too- Rebecca Taylor is usually entirely too girly for me, but this collection is like girly, on Valium. It's moodier, mellowed, and muted to give me something I didn't know I wanted until I saw it on the runway- clothes that are girly but not overly sunny or sorority girl- these are not bad girl pieces, but they're definitely for girls who have more on their mind than cupcakes. I fell in love with the collection, my favorite being the maxi dress above. It's so chic, so easy, and a bit dark. The color palette and shapes in the collection are just my size- wearable pieces that are cool, pretty, textured, and quietly sexy. J'adore.

I want it all. So fabulous and a pleasant surprise this Saturday am...I gotsta go, and that's what's up this trifecta post of a Saturday in the 718. Fashion matters, people. Or at least it does to me. XOXO

The Legacy of Fashion

Hi again, sleepyheads. I'm up and at 'em this morning because I have lots to say on the fashion front and that is THAT, and this is this.

Speaking of this and that, remember when you took the SATs and you had to make those comparisons like apple is to orange as blank is to blank? I'm struggling to remember what those litle mind fucks are called, but I'm seeing some legacies/worthy comparisons here that I wanted to talk about and show you.

Billy Reid is the new Ralph Lauren. Billy is a transcendent American designer whose point of view feels a lot like Ralph- all American, a bit homespun, and definitely not pretentious- though I love how his clothes, much like RL's, can feel as at home on the range as they do on the urban frontier. Genius.

Oh, and Doo.Ri is the new Donna Karan, with her elegant draping, appreciation of the strong female form, and a wonderful urban appeal that is sophisticated, powerful, wearable, and sexy as could be. When I look at her collection, I feel the same way I do when I have looked at Donna's in the past- I want everything and it speaks to the part of me that wants clothes that make me feel strong, yet feminine at the same time. Michelle Obama, you should be wearing clothes like this. Just saying.

So what have we learned today?

REID IS TO RALPH AS DOO.RI IS TO DONNA. Class dismissed. Cause that's what's up this weekend edition of fashion university. All the love. XO

Eastern Promises at Jason Wu

Hi, Saturday- I'm looking forward to a little yoga today and a lot of catching up on this thing called life...but first- fashion.

I'll keep this post brief but don't you just love the Eastern influence of these dresses spotted on the runway at Jason Wu? With China becoming a formidable force, it's not surprising that the fashion world would take notice- these dresses are absolutely divine, and make me want to hop on some sort of hopped up chic version of the Orient Express. All aboard.

 

Cause that's what's up on this weekend edition of Maven this here Saturday from my warm bed in Brooklyn. XO

Why Peter Som will save the world...

Ok, no he won't. And yes, this is a twofer post- but I have lots to say today, ok?

And now that I have your attention, if you are looking for an American fashion designer who is somehow altogether modern and not composed of cheeky nods to the 20s, 70s, or 1890s (how genius was Portlandia's wink to the 1890s by the by?), look no further. Because Peter Som's collection for Fall/Winter 2012 is the epitome of modern American dressing (I just channeled Polly Mellen with that phrasing. Can so see her saying that). I am dying over the quiet minimalism yet architectural silhouettes of this collection. The use of white seems to say rebirth- he's the glass is half full of fashion at a time when many people are touting the end of days.

 

And yes, he too is using fur (have a feeling there is going to be backlash to all this fur- does not sit well with most) and generally just rocking my world with something fresh, future, and next.

The colors are right up my alley too- I love the deep greens,  and rich burgundy hue- it's a sexy way to embrace color without feeling like Rainbow Brite (not that there's anything wrong with that). I just find these clothes really inspiring, have not seen much like these looks in recent years and I'm all about it- they're a bit Marni meets Miuccia for sure, but feel completely and utterly fresh, decidedly American in their ease, and chic as all get out. That one dark green suit (below) has me thinking this is the ultimate uniform (there's that word again) for a life well lived. Yes please. I'll have two. The future is now and it looks much like this. That color is heaven too. Oh and for evening, what is chicer than this chocolate suit? Nada.

That's all for now, my friends. I hope you have a fun and fashion filled weekend...more to come for sure. Next year at this time I'm making it a goal to give these posts to you live (cue Mary Tyler Moore music now) because it's something I must do for you, and for me. All the love in the world- as long as Peter Som is in it saving us from mediocrity and the played out. XO

Fashion Week Got me out of my Funk...

Hey little Friday- I am happy you are here. Supposed to be a bit of snow in the city this weekend, so looking forward to a little nesting. In the interest of full disclosuring I must tell you that this week was a bit of a wanker- I was working on a project that was not easy, did not go super well, and was generally not my thing. I learned the hard way, but in the words of someone in my life who I have come to tremendously respect, I should "stick to what I am good at". This is true, and no, I'm not good at everything, which I'm sure is not much of a surprise. I always thought I could do a bit of strategy (you ad types know of which I speak), but it's not my world, not my language, not my thing. I'll tell you what is my thing though- something much more deep and intellectual than brand analysis- FASHION. Sarcarsm aside, I do love my fashion, and as I struggled to meet the day today a little cruise through style.com to peek at the first of the collections that showed this week had my defeated little heart pumping all over again. It's a bit early in the game to talk about trends of the week, but I'm going to tell you how I see it, and I'm calling some early themes already that have been all over the runways and are sure to make their way in some version into your closet come winter 2012. Here goes, and thank you Fashion Week, for inspiring me once again:

 

Fur sure- Fur is just about everywhere in the dozen or so shows I've seen so far. Is it our need for protection and a return to a surviva of the fittest era worthy of the Neanderthals that has us craving fur? Could we be looking for a little protection and nurturing as we look ahead to this admittedly tense election year? Regardless, fur's the thing for Fall 2012. And lest you slap my hand for even mentioning something so hurtful to animals, there are loads of faux fur options for you sensitive types, so relax. That Chadwick Bell blue dress is divine ps, don't you think? The other two images are Juan Carlos Obanda super hot black dress and fur which somehow reminds me of Tom Ford era Gucci in the best of ways and TSE, beigy pantsy drapy furry. And since most of us are chilly this time of year, test drive this trend for next winter nowish. Fur or fake fur looks lovely around the face, so don't think Nanook of the North but think glowy pretty sexy.

 

 

Dress me up- I don't generally think of winter as a time for dresses, but as a big fan of frocks I am thrilled to report that these sweet little shifts are everywhere- from prints to loose shifts to draped, they are the star of the show(s) as far as the eye can see- in its limited two day stint that is. Let's see what the rest of the week brings but it's all about dresses, and not fussy, feminine ones, but functional and relaxed and devoid of girliness or pretense. Needless to say, sign me up. Below's dresses are from Cynthia Rowley, BCBG (with fur natch), more BCBG (love me a kaftan), and Cynthia again with a nod to the olden days, as well as long dress of water from TSE which I find utterly amazing and fresh.

 

Uniform- I can't help but feel that the need for clothes that suit many needs in this cautious economy gave birth to the runways full of a modern sort of uniform- a bit utilitarian, relaxed, and ready for anything. From Kim Ovitz's black city warrior wear above (which in my mind, is now reaching 'classic' status. Edgy black skinny pants and leather a la Rick Owens or Alex Wang are no longer the provenance of the hip and cool. They're staples in the wardrobe of girls from Park Avenue to Propect Park to Pittsburgh, and that's the truth- the uniform of girls everywhere from the city to the town. Rocker like black gear is almost as classic as the LBD when you don't know what to wear but want to feel cool and hot at the same time). I also found Max Azria's colorblock frocks (they have been doing that color block thing for what now seems like way too many seasons- switch it up BCBG), even though they are hardly generic as embracing this uniform trend- there's something utilitarian about them- almost anyone could wear one of these dresses no matter what size, shape, or creed. Which brings me to the next trend.

Wearable- I know this is one that all the editrixes talk about, but hot damn, I'm seeing some wearable clothes coming down those runways, ladies. Below are looks from Rowley, Costello Tagliapietra, Chadwick Bell, and then Costello T. again.
Loosen up- For those of you tired of the body con thing, rejoice. The silhouette is lighter, forgiving, and more egalitarian than ever. With all the stress and bad news these days, perhaps Fashion Avenue is sensing our need to loosen up and relax? The days of stuffed sausage dressing (see ya Kim K.) are just about dunzo, and not a moment too soon. I'm all for keepin' it loose- further proof of the wearable looks we're seeing so far. Bye bye bandage dress. Lates.
Retroactive- I've talked at length on this blog about the derivative nature of fashion, and if the runways are any evidence, designers are rocking the leggy loosy 70s and Derek Lam's less spendy looks for 10 Crosby feel very 70s Sonia Rykiel with the flared trouser and tucked in tees. And though dresses ruled, I so love these pants he's making. I am particularly prone to the black printed ones below. Free and easy peasy.

 

In terms of color, there seems to be a lot or rust again, but also cloudy greens and blues that almost feel like neutrals, or perhaps a nod to our new collaborative cloud culture- either way it's pretty. Check out this gorgeous piece from Juan Carlos Obando- maybe there's still a bit of the Miami girl in me, but how gorg is this color on gloomy days? Divine. Oh and that green dress by Chadwick Bell up top there has nothing to do with anything I discussed besides gorgeousness. It's green, it's dotted, it's feathered, and it's love at first sight. And that's what's up this fashion therapy kind of Friday in the borough of Brooklyn town. All the best for the weekend and look for lots of updates on all things fash in the weeks to come. I just love bringing this stuff to you because that's who I am and that's all I know.  XO

Be back next week...

Too busy on a gig and needing to focus...big kisses and see you next week with lots to report on the fashion front...love from the city that never sleeps, which is a good thing, cause neither do I. Assume the Maven hiatus position- much to be done. XO